Translúcida /Bruta Translúcida /Bruta
  • inicio / home
  • performances-instalações +
    • procedimento para evocar a leveza . procedure to evoke the lightness [2020/2021]
    • perfeita e a corrida do ouro . perfect and the golden rush [2019/2020]
    • wu-wei // crise . wu-wei // crisis [2018]
    • sucesso estudo para o fracasso . success study for failure [2017]
      • a supermarionete . the supermarionet
      • experimento fogo . fire experiment
      • plataforma: o jantar . platform: the dinner
      • um fênix de pedra e metal . a phoenix of stone and metal
    • ave ou penas . bird or feathers [2016]
    • mosca-branca . whitefly [2016]
    • noiva . bride [2011 > 2016]
  • DISPOSITIVOS VESTÍVEIS / WEARABLES
    • / explorações com próteses . prosthesis exploration
  • LABORATÓRIOS
    • / procedimento / procedure
    • / laboratórios abertos / open labs
    • labs conteúdo [com senha] / labs content [user area]
  • M_I.M.A. / ARTISTIC RESEARCH
  • ÁREA DE PROJETOS [COM SENHA] / PROJECT AREA [PASSWORD REQUIRED]
  • LOJA / STORE
  • AGENDA
  • BIO
    • / manifesto / manifest
    • / cia blackout
    • / co-criações / co-creations
    • / provocações / provocations
    • / colaborações / colaborativos
    • PORTIFOLIO PDF
  • CONTATO / CONTACT

Perfeita e a Corrida do Ouro © Mayra Azzi, Translúcida /Bruta / c. Eslany Fernandes (Jacundá, 2001) Bombeira civil em finalização do seu processo de formação, sua experiência no teatro iniciou com as aulas ministradas pelo diretor e roteirista Aldson Reis. Em 2018, participou do curso de teatro físico ministrado por Leonel Ferreira que culminou com uma apresentação sobre a história de Jacundá. Também participou da Via Sacra, encenação anual que traz à cena a crucificação de Jesus Cristo. Engajada em ações artísticas e também de fraternidade já foi Miss Cidade Nova e integra desde 2017 a Pastoral da Juventude – um grupo jovem de amparo e conscientização dos direitos de pessoas em situações sociais críticas.

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  • ISO 320
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  • ISO 200
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  • ISO 160
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  • Aperture ƒ/2.2
  • F.Length 3.82mm
  • ISO 200
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  • ISO 400
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  • ISO 250
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  • Aperture ƒ/2.2
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  • ISO 160
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  • ISO 125
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  • ISO 100
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  • ISO 250
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  • ISO 125
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  • Aperture ƒ/2.2
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  • Aperture ƒ/2.2
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  • Aperture ƒ/2.2
  • F.Length 3.82mm
  • ISO 100
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  • Aperture ƒ/2.2
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  • ISO 100
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  • ISO 640
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  • ISO 100
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  • ISO 125
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  • ISO 200
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  • Aperture ƒ/2.2
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  • ISO 200
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  • Aperture ƒ/2.2
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  • ISO 125
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  • Aperture ƒ/3.5
  • F.Length 50mm
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Perfeita e a Corrida do Ouro © Mayra Azzi, Translúcida /Bruta

  • Aperture ƒ/3.2
  • F.Length 50mm
  • ISO 800
  • Exposure 1/50s

Perfeita e a Corrida do Ouro © Mayra Azzi, Translúcida /Bruta

  • Aperture ƒ/2.2
  • F.Length 50mm
  • ISO 800
  • Exposure 1/50s
  • Aperture ƒ/9
  • F.Length 24mm
  • ISO 400
  • Exposure 1/320s
  • Aperture ƒ/6.3
  • F.Length 55mm
  • ISO 400
  • Exposure 1/250s

Perfeita e a Corrida do Ouro © Mayra Azzi, Translúcida /Bruta (c. Leo Ceolin e Carolina Sudati aka Translúcida /Bruta).

  • Aperture ƒ/16
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  • Aperture ƒ/5.6
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  • ISO 800
  • Exposure 1/100s

Perfeita e a Corrida do Ouro © Mayra Azzi, Translúcida /Bruta (c. Lucas Lima)

  • Aperture ƒ/2.5
  • F.Length 50mm
  • ISO 800
  • Exposure 1/160s
  • M_I.M.A. _ ARTISTIC RESEARCH
  • PORTFOLIO

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